#WOLFGANG AMADEUS MOZART REQUIEM PROFESSIONAL#

His permanent residence in one of the great European musical centers coincided with his musical maturity, and his early exposure to every trend of the day through his extensive travels blossomed into masterpiece after masterpiece. In 1781 Mozart left the ArchbishopвЂ™s employment, on exceedingly bad terms, and moved to Vienna. Mozart complained that forty-five minutes were now allotted for the entirety of the Kyrie, Gloria, Credo, Epistle sonata, Offertory or motet, Sanctus, and Agnus-hardly conducive for any kind of expansive treatment. These included limiting the use of instruments in church and shortening the mass, obviously unpopular restrictions for musicians. From March 1772 on the Archbishop was Hieronymus Colloredo, who followed the ecclesiastical reforms being promulgated by Emperor Joseph II. Mozart joined the establishment as well, becoming Konzertmeister and then court organist, but neither father nor son were happy being there. Leopold was employed as violinist in the ArchbishopвЂ™s orchestra and then as deputy Kapellmeister. Aside from the Marine Band at the White House, itвЂ™s hard to imagine anyone in Washington employing musicians (though Ruth Bader Ginsberg would be a likely suspect). In 1757, for example, the Archbishop employed a thirty-piece orchestra, fifteen boy singers, twenty-nine adult vocalists, and ten soloists.

#WOLFGANG AMADEUS MOZART REQUIEM PROFESSIONAL#

Boy, those were the days! Anybody who was anybody had a permanent establishment of professional musicians on call. When he wasnвЂ™t traveling he was employed with the same establishment as his father, that of the Archbishop of Salzburg. The name of the game at this time was patronage, whether aristocratic or ecclesiastical, but the boy who had enchanted European royalty proved incapable of securing the right position as a young man.

The point of all this traveling was to get Mozart a job worthy of his talents. But this journey came to a terrible end with the death of his mother in Paris. In 1777/1778 Mozart was on the road again, this time with his mother, to various cities in Germany and to Paris. In the peninsula he was decorated by the Pope, supposedly copied out the Allegri Miserere after hearing it once, met the learned Padre Martini, and had his opera Mitridate performed twenty-two times in Milan and another opera, Lucia Silla, premiered as well. Mozart, however, kept up the traveling, going with his father three times to Italy between 17. If she had even a tenth of MozartвЂ™s ability, we lost a fine composer. Which they did, and none of her compositions survive. Today theyвЂ™d have their own YouTube channel.Д®ventually Nannerl grew Too Old for This Sort of Thing i.e., it was time to marry her off. They played for Louis XV, George III, and other royalty, showing off musical talents that included performing, sight-reading, composing, and improvising. Munich, Augsburg, Mainz, Frankfurt, Aachen, Brussels, Paris, Lille, Ghent, Antwerp, The Hague, Amsterdam, London, Dijon, Lyons, Lausanne, and ZГјrich were some of the cities visited. Then, in 1763, when Mozart was just 7 years old, the family embarked on a three-and-a-half year grand tour of Europe to display both prodigies (they evidently subtracted two years from NannerlвЂ™s age to increase the wonder of her achievement). They were shown off in Munich and Vienna, where they played for the Empress Maria Theresa.

Both composed and played the keyboard, and the young Mozart was a violinist as well. MozartвЂ™s immense talent was evident from the start, and his sister Nannerl (Maria Anna), who was five years older, was no slouch either. In the year of MozartвЂ™s birth, LeopoldвЂ™s treatise Versuch einer grГјndlichen Violinschule (Essay on the Fundamentals of Violin Playing) appeared, and it remains important for its information on contemporary performance practice. As a violinist Leopold had a far greater impact. His most famous work-that is, if it is indeed by him-is the so-called вЂњToy SymphonyвЂќ that uses toy instruments, once attributed to Haydn but (perhaps) written by Leopold. Industrious in the latter capacity, his perfectly competent compositions shrivel into insignificance beside those of his son, and he may have stopped composing at precisely the time that his son began.

His father, Leopold (1719вЂ“1787), was a violinist and composer. Mozart was born into a musical family, as was often the case for composers before the nineteenth century.

Wolfgang amadeus mozart requiem